Lauryn Hill’s Ex factor is a class in it’s own right. The track fuses styles of RnB, Hip Hop and Neo Soul and the lyrics are masterful in outlining the heartbreak of a toxic relationship and a perpetual wheel of trying to hold everything together. When done as well as this, it is the type of song that everyone can take their own meaning and experiences from.
That is just about the listeners though. Some musicians may identify with such a song that they are able to open up another dimension of it, and never have I heard a rendition of a song so remarkably done than Mara Carlyle’s cover of ‘Ex Factor’.
I first heard this cover when I saw Mara supporting Goldfrapp at the Royal Albert Hall in late 2014. I was enraptured.
All of a sudden, the well known Neo Soul track known for grooving your blues away is much more contemplative and spacious affair. Mara arguably gives the song a more melancholic shade as she leads and a church organ accompanies and the delicate emergence of a choir.
How can the same song be done so differently? I love both versions, but I think Mara’s desperately needs to be heard by more people.