Here is the teaser video for the upcoming 2nd Eden Shadow album ‘Melodies for Maladies’, which will be available soon.
Here is the teaser video for the upcoming 2nd Eden Shadow album ‘Melodies for Maladies’, which will be available soon.
When there is such an overwhelming amount of media out there, how on Earth can you break through and penetrate to audiences who would seemingly fall in love with the material you create?
I think it is a mixture of things these days, from the main trusted sources, snapping, tweeting and posting social media networks, gut wrenchingly writing out a cheque for marketing but I am sure as anything that good old spontaneity can be easily overlooked.
Because it was through that, that I stumbled across this beauty of a band on a rainy summer day at Field Day festival. I was there for John Grant, Air and PJ Harvey but I arrived super early on my own, ready to embrace a day of stumbling across anything and thank goodness I did.
I discovered many good acts that I had loosely heard of, Mystery Jets and Steve Mason who both impressed; but I had never ever heard of Arthur Beatrice, a band that has just released their second album and have been on the peripheral for a while.
They were superb live – in fact, awe inspiring. Their second album is a statement of intent, beautifully composed well worked songs, powerful vocals and an overall soaring, anthemic feel.
Besides spontaneity being overlooked as a means of discovery, you cannot underestimate word of mouth. That’s proven in my inability to stop mentioning this band to my fellow music lovers and sharing it here in my own digital space.
This band, in my humble opinion needs to be heard by more people, so here it is people.
Arthur Beatrice – Keeping the Peace
Give it a listen!
Lauryn Hill’s Ex factor is a class in it’s own right. The track fuses styles of RnB, Hip Hop and Neo Soul and the lyrics are masterful in outlining the heartbreak of a toxic relationship and a perpetual wheel of trying to hold everything together. When done as well as this, it is the type of song that everyone can take their own meaning and experiences from.
That is just about the listeners though. Some musicians may identify with such a song that they are able to open up another dimension of it, and never have I heard a rendition of a song so remarkably done than Mara Carlyle’s cover of ‘Ex Factor’.
I first heard this cover when I saw Mara supporting Goldfrapp at the Royal Albert Hall in late 2014. I was enraptured.
All of a sudden, the well known Neo Soul track known for grooving your blues away is much more contemplative and spacious affair. Mara arguably gives the song a more melancholic shade as she leads and a church organ accompanies and the delicate emergence of a choir.
How can the same song be done so differently? I love both versions, but I think Mara’s desperately needs to be heard by more people.
The Haxan Cloak – Excavation
The Haxan Cloak is an artist I discovered through Bjork’s latest album, Vulnicura. He contributed towards the production of the album and his personal characteristics shone through on ‘Family’ which is probably my favourite piece on the record. A low pulsating whirwind of such sonic depth that it shakes your very core. Such a sound gives you a very visceral image of what it is like to see your family fall apart.
His own album though is even yet more terrifying, one of the scariest musical experiences I have encountered probably since listening to Throbbing Gristle. The clue is in the title, and the album artwork. It would be an exemplar horror soundtrack. Some of the most impressive low frequency recordings I have ever heard, heavy beats, whirling strings, humongous reverb: it is masterful electronica music. Turn the lights off and prepare to let yourself be very creeped out by this record.
Julia Holter – Have you in my Wilderness
I have been very fortunate to discover this absolute gem of an artist. How refreshing it is discover someone new that just seemingly does whatever she pleases. Julia is very fun to listen to and her recent record has really seen her mastering her craft of writing artful pop music. There’s a lush range of instruments on display, stunning strings throughout with ‘Lucette stranded on an island’ being a personal favourite of mine, an awesome double saxophone solo on ‘Sea Calls Me Home’, and Beatles vibes on ‘Everytime Boots’. Heck she even rocks a harpsichord in ways that I would never imagine possible! Julia definitely has you in her wilderness, and you keep on wanting to come back to the record, time and time again.
Julia Holter – Loud City Song
As with any artist I discover, I get super obsessive with their back catalogue and similar musings are on display here. The exception being that the album is very much dedicated to themes of living in a big loud city, and how that impacts one’s life.
Jackson Browne – Late For the Sky
Jackson Browne is a writing genius in my book. Not so well known in the UK. But he wrote Take it easy and has associations with The Eagles. His album, ‘Late For the Sky’ has some of the wisest lyrics I have ever heard, up there alongside Joni Mitchell and Bob Dylan, in a time where music that mattered drove the culture so much more. It is a heartbreakingly beautiful album to listen to, tender, deep, comforting.
David Bowie – Blackstar
The man can only be marvelled at for choreographing his own death. Death is indeed a part of life and one that art explores often. However, there is something about Blackstar that is visceral in ways I’ve never experienced before. I saw Lazarus before knowing Bowie was going to die, and the transformation of the song’s actual meaning became very haunting.
Bowie is an artist who has indirectly influenced a lot of people. He has always been there in my musical upbringing and what is particularly notable about his death is that it marks the end of an era, where artists could experiment, push the boundaries and still be accepted by the mainstream. I hope Bowie’s parting gift resonates with people not only as just a great record, but a beacon for the future where a new generation of acts can arise who can push the boundaries once again.
Kendrick Lamar – To Pimp a Butterfly
Out of character of my normal tastes you may say. Good music is good music and Kendrick Lamar’s recent album is one of the most exciting hip hop records I have heard in a long time. I think his outlandish and uncompromising lyrics and the concepts exploring racism, hood politics and soul searching are enthralling but the music and production of this record offers some jaw dropping moments. Lamar also fearlessly ventures into jazz at times, this is a record subsequently that has a lot of people talking…a brilliant record.
The latter part of 2014 and all of 2015 has seen me making gradual progress with the second Eden Shadow album. There is no doubt that this has been a tremendously ambitious and difficult album to make and I can’t wait to share it with you all.
Last month, I reached a monumental milestone in getting the drums recorded. It was an intense, incredible weekend. This album will be featuring Aled Lloyd on drums, who is known for playing with Japanese Metal Band, Cyclamen. Onwards with the rest of the production process!
Here are some photos taken by Bethan Miller
This was a widget, but I’ve decided to elaborate on my playlist a bit as I am discovering more music than ever. So here is the music that is seeing me through Autumn!
Jason Isbell – Something More than Free
How out of character of me…a country record! Throw away the prejudice and it’s a beautiful feeling of freedom to judge good music on the merit of being…well GOOD! And that is what Jason Isbell is, he writes some cracking contemporary music, loads of melody over a subtle minimum use of chords, lush violin arrangements and the thing that sold me most…his intelligently crafted lyrics. The latter which usually puts me off most southern american music, as it goes all too shallow and pedestrian. This on the other hand…hits deep.
Beach House – Depression Cherry
This band have been about a while, but it wasn’t until scrolling through Pitchfork that I ended up devouring their newly released album. A brooding all red album with moody female vocals, synths synths synths and guitar motives that all suit my taste for all things melancholic.
Debussy – Piano Works Volume 4
I’ve started properly learning piano, I am teaching general music lessons so it will come in handy but alongside that lies my aspiration to play this masterpiece.
Debussy, the very much loved composer who broke a lot of boundaries in the classical world and spearheaded one of my favourite art movements, impressionism!
Spirited Away Soundtrack
I love the film, and I want to play this on piano too.
Joni Mitchell – Hejira
Sometimes, you have to kick yourself for bypassing something you shouldn’t. I’ve known Joni Mitchell for most of my life and I’ve been on edge over the past year when reading about her health in the news. Blue, Big Yellow Taxi, Both Sides now, how much more great stuff can you write? Then comes along the album that the hardcore fans in particular are beholden to, that is even more adorning…and that is Hejira. The album is just incredible, WHY did I not pay attention to it til now!? It features alongside Mitchell’s incredibly thoughtful lyrics accompanied by the musical genius of Bassist Jaco Pastorious and Larry Carlton (whose more than likely played guitar on many songs you know)…what more could you want? The title track in particular has been very apt for the grey clouds that have sometimes dominated the sky over these recent autumn days. ‘I’m sitting in a cafe’, and in the space of five minutes, Joni articulates what has been a very challenging year for me at times that has led me to a lot of self-reflection and pondering…the best music brings about a truth that you identify closely with, how did she know this about me? That’s the power of art.
Hejira is timeless.
You can call music amazing all you like; you can overuse that adjective in abundance all over the comments sections of social media platforms, but to me, it isn’t amazing unless it reaches a part of your soul that identifies with you in a way that is so resonantly truthful to oneself, that it brings tears to your eyes, sends shivers up your spine, and there isn’t really a tangible way in which your love of it can be expressed.
Which is exactly what I experienced about a month ago when I discovered Laura Nyro via the Lefsetz letter. When I Followed through Bob’s description song by song, I was very quickly sold, and off I went, searching for her music.
As I ventured Nyro’s catalogue throughout a night of insomnia, I started to slowly unravel her genius: her angelic voice, that demanded your attention from everything between a soft whisper or a bellowing cry, her virtuosic piano playing that could interweave the simplicity of a solid backbeat of a catchy rock n’ roll pop tune with the dreamy complexity and space of jazz, not to mention the stunning arrangements of tracks such as ‘Lu’, ‘Poverty Train’, ‘Gibsom Street’ or my personal favourite ‘Captain for Dark Mornings’…some of those tempo changes too!!!
But the key thing about Laura Nyro is her soulfulness, sensitivity and sincerity. One of those few artists that can elevate certain feelings of love, loss and loneliness to above and beyond. Like those few artists, she died way too young, and it breaks my heart even more so when I listen to her.
As a Friday Night listening to Nyro transcended into a Saturday morning, and after a train ride and a strong coffee, I popped into the record store and bought 5 albums!
I’ve been telling everyone about her ever since, and only 1 person out of everyone knew who she was, having fallen under the radar whilst other artist’s renditions of her songs turned them into hits.
You’ve got to hear Laura herself though…she’s too good not to be heard by so few.