Keeping the Peace – Arthur Beatrice.

When there is such an overwhelming amount of media out there, how on Earth can you break through and penetrate to audiences who would seemingly fall in love with the material you create?

I think it is a mixture of things these days, from the main trusted sources, snapping, tweeting and posting social media networks, gut wrenchingly writing out a cheque for marketing but I am sure as anything that good old spontaneity can be easily overlooked.

Because it was through that, that I stumbled across this beauty of a band on a rainy summer day at Field Day festival. I was there for John Grant, Air and PJ Harvey but I arrived super early on my own, ready to embrace a day of stumbling across anything and thank goodness I did.

I discovered many good acts that I had loosely heard of, Mystery Jets and Steve Mason who both impressed; but I had never ever heard of Arthur Beatrice, a band that has just released their second album and have been on the peripheral for a while.

They were superb live – in fact, awe inspiring. Their second album is a statement of intent, beautifully composed well worked songs, powerful vocals and an overall soaring, anthemic feel.

Besides spontaneity being overlooked as a means of discovery, you cannot underestimate word of mouth. That’s proven in my inability to stop mentioning this band to my fellow music lovers and sharing it here in my own digital space.

This band, in my humble opinion needs to be heard by more people, so here it is people.

Arthur Beatrice – Keeping the Peace

Give it a listen!

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Steven Wilson – Hand. Cannot. Erase.

This year thus far has been an impeccable one for music thus far and yesterday is what I could call one of the most highly anticipated Monday’s of my life as I waited for the post man to deliver the deluxe edition of Steven Wilson’s new album Hand. Cannot. Erase.

Anyone who has heard of my work with Eden Shadow or has met me in person will be aware that I take a lot of influence from this artist. I grew up with Porcupine Tree and besides Dream Theater, Tool and Opeth; Wilson has been one of very few artists to carry the torch through the last two decades for a genre of music that was constantly pushing boundaries (deemed by many as prog).

Besides being an unusual artist emerging through the 90’s, it has become very clear to me why Wilson has now gained the deserved amount of success he has had with Porcupine Tree and now his solo career. Firstly, the guy is relentless and completely prolific in writing music every single day, continuously making records, he has failed at achieving what he’s wanted at times but he’s kept going. It took him 15 years before he gained any prevalent recognition for what he was doing when PT released In Absentia, and every time he has faced success, he is adamant in ensuring that he does not repeat himself. Secondly, his attention to detail at times is astounding, you take many of his records, and the way in which they’re presented both sonically and in it’s packaging is remarkable, leading to a unique and immersive experience. Finally and what i would argue to be most important point is the context of his music. I have heard so much music from this scene, which is completely contrived and says so little that I would say even though most of my time is dedicated to writing progressive rock music, I avoid listening to most of it! The older I get, the more I realise what makes music work for me is how much I see of myself in it, which is when people ask me what my favourite records, I’ll say something like Vespertine by Bjork because it is a complete reflection of my introverted self. Wilson has more and more through the years delivered albums where he has had something to say. Music is a language after all. He is also one of very few artists who, low and behold, can actually be articulate in an interview, listen to to a question and say something insightful.

In terms of having something to say, and a mirror to hold up, after listening to Hand. Cannot. Erase. for the first time, I regard this album as one of the most relevant to me he has yet written. The album concept in brief is this,

“The story of Hand.Cannot.Erase. is a about a girl who grows up, moves to the city and begins to erase herself”

This is loosely based on the disappearance of Joyce Carol Vincent, who was a young woman, had a family, had friends but erased herself from everyone around her, died in her apartment and wasn’t discovered for three years. That is an incredibly macabre subject matter, but it holds a lot of pathos about modern day life in the city, and I have experienced this myself! I moved from the Welsh countryside to my student town, just outside London, and there were times when I was in London on my own and I felt completely isolated from the millions of people around me.

It’s not just the idea of being able to isolate yourself in a metropolis that is explored in this album, it’s also the impact that social media has had on my generation in particular and the fact there are people who can loose themselves in social media and video games where they do not walk outside their front doors for days on end. I am all to aware of the benefits of social media, but I share some ambivalence about it. More so than anything else, I use social media to share ideas, to share my thoughts, my music as well as other people’s idea and works but all too often, people who are using social media for those purposes are contending with a mass volume of trivial noise of people portraying their lives in a way that is faux. The lyrics from ‘Home Invasion’ seriously hit home.

Download sex and download God.
Download the funds to meet the cost.
Download a dream home and a wife.
Download the ocean and the sky.

Another day of life has passed me by.
But I have lost all faith in what’s outside.
They only are the stars across the sky
And the wreckage of the night.

Download love and download war.
Download the shit you didn’t want.
Download the things that make you MAD.
Download the life you wish you had.

I’ll save describing the music or concepts any further, but in my humble opinion, this album is again an incredible achievement and I look forward to seeing it live. For more context, here’s a great interview.