Kaleidoscope

My third single is called ‘Kaleidoscope’ and is now available to listen to on all streaming services.

The song was inspired by my travels abroad and the opportunities I have had to meet people from all around the globe as well as some of the different beautiful locations I have seen. In a world where there is apparently so much divide, I thought it would be worth writing a song that celebrates things about us that are different and yet still similar. 


Credits: 
RME – Vocals, Guitars, Keys
Ben Elliott – Bass Guitar 
@aled_drums – Drums 
@andrew_bish – Co Producer, Recording and Mixing Engineer 
@stevekitchmastering – Mastering Engineer 
@myhappylee_darleeorurbz – Artwork

Anything is Possible debut single 7th June 2019

The first single from my debut solo record is called ‘Anything is Possible’

It will be released on the 7th June 2019.

Below is a snippet of the artwork done by the incredibly talented Darlee Urbiztondo.

You can find her work at https://instagram.com/myhappylee_darleeorurbz?igshid=py69iuoz1paq

Ryan Mark Elliott Debut Solo Album.

I am pleased to announce to you that my fourth full feature release will be my debut solo album.

As I have spent the last couple of years writing the music that will appear on this album, it became more and more clear to me that releasing this under my name made total sense and I look forward to sharing it with you this coming summer.

As to what style it is, that is hard for me to pin point in short, but what I can say is that it is exactly and uncompromisingly the kind of album with the kind of music I wanted to write and you can expect the music to venture rock, metal, ballads, blues, dream pop, and 80s style sense of conceptual grandeur.

The first single ‘Anything is Possible’ will be released on June 7th with single artwork, teasers, videos, details. to come shortly.

Outside the studio in Cardiff, Wales. Photo taken by Bethan Miller. You can find her at http://www.bethanmiller.co/

To keep up to date with the upcoming release, you can connect via the following social media.

My Facebook page.

https://www.facebook.com/ryanmarkelliottmusic

My Instagram

https://www.instagram.com/ryanmarkelliottmusic/

My Twitter account.

https://twitter.com/RyanElliottmu?lang=en

Julia Holter – Aviary

And they say the album format is dead…

It may well be on a monetary level but needless to say, it does not stop artists like Julia Holter from using the album format to make her statement.

And quite an artistic statement is Aviary.

Clocking at just under 90 minutes, the record is a experimental odyssey with so much depth and beauty, it is initially overwhelming. Similarly to the first time I heard Kate Bush’s ‘The Dreaming’ or Radiohead’s ‘Kid A’, the album reveals its’ magic and gradually blossoms with repeated listens.

The title is inspired by Lebanese American writers Etel Adnan quote ‘I found myself in an aviary full of shrieking birds’. Such a sound collage can be blissful, peaceful, quietly unsettling. Julia achieves this in fifteen tracks that don’t have a distinct structure as such but dive into experimental explorations, build in tension and widen up a panoramic canvas of sounds consisting of piano, strings, drums, trumpets and even bagpipes; as well as Julia’s typically layered and ambient vocals.

This is demonstrated in ‘I Shall Love 2’, the first track to be released. There is not too much more needed to be said about the music as it is far better for it to be experienced. That being said, the noticeable trait of Julia as shown in her previous works is her evocative ambiguity. Julia didn’t really know how to articulate herself when I saw her live, she appears introverted and coy on social media. Ultimately, her goal is to get lost in the Music. There is no conventional structure, no direct meaning to the songs she does, instead there is an internal dialogue, a collection of sounds and words that may at times be on a lyrical level non sensical, outright bizarre but ultimately so satisfying.

And when so much Music out there is so formulaic, so lacking in it’s risk taking and no more than chewing gum for the ears; this record is a breath of fresh air. I have listened to this record with headphones on by a beach, I have listened to this record whilst turning the lights off in my apartment with dimly lit candles. Whatever way I have enjoyed discovering this record, ‘Aviary’ is truly an exhilarating musical experience.

The best records for me have been released by three women this year, Janelle Monae’s ‘Dirty Computer’, Natalie Prass’ ‘The Future and The Past’ and now Julia Holter’s ‘Aviary’. All of which showcase in their own way a defiance to the current chaotic climate we find ourselves dealing with in 2018. They are a celebration of opening up to vulnerability, love and truth…and that is when Music becomes so powerful.

‘That is all’.

 

Journey of The Effervescent by Kinky Wizzards

Over the last year, me and the brothers have been busy planning new things for the Kinky Wizzards.

Simultaneously, the boys decided to put a new live Music video together by themselves where they explored some of the older material.

It is safe to say after watching this video of the brothers do their thing, the song title says it all. Vivacious and enthusiastic.

I look forward to joining them for our string of shows this summer.

Ryan

Ex factor

Lauryn Hill’s Ex factor is a class in it’s own right. The track fuses styles of RnB, Hip Hop and Neo Soul and the lyrics are masterful in outlining the heartbreak of a toxic relationship and a perpetual wheel of trying to hold everything together. When done as well as this, it is the type of song that everyone can take their own meaning and experiences from.

That is just about the listeners though. Some musicians may identify with such a song that they are able to open up another dimension of it, and never have I heard a rendition of a song so remarkably done than Mara Carlyle’s cover of ‘Ex Factor’.

I first heard this cover when I saw Mara supporting Goldfrapp at the Royal Albert Hall in late 2014. I was enraptured.

All of a sudden, the well known Neo Soul track known for grooving your blues away is much more contemplative and spacious affair. Mara arguably gives the song a more melancholic shade as she leads and a church organ accompanies and the delicate emergence of a choir.

How can the same song be done so differently? I love both versions, but I think Mara’s desperately needs to be heard by more people.