The riots

You reap what you sow.

The riots across British towns are no coincidence. They are the symptom of a fundamental issue that has time and again been failed to have been addressed.

And that fundamental issue is that for far too long, social media execs and far right politicians have benefitted from sowing division and spreading misinformation for their own gain.

It is a race to the bottom, a lowest common denominator drive that feeds on base instincts; fear, anger and most unfortunately, racism.

And when you really think about it, what has Nigel Farage ever offered anyone? What positive contribution has he made? He’s a snake oil salesman, who spends majority of his time pointing the finger at immigrants and demonising them.

Then the Tories join in on the rhetoric and take it to even more lower levels of stupid with a botched gimmick and infuriatingly expensive Rwanda policy and yet another stupid slogan in ‘Stop the boats’.

The channel crossing situation is a highly complex and nuanced situation, one to which I have no expertise on but the incompetence to which it was dealt with and the manner to which politicians exploited the situation to rally support is utterly inexcusable.

So when a horrible tragedy occurs, a spark lights the flame.

And the sad thing is, the origin of the perpetrator wasn’t a channel crossing migrant or Islamic for that matter, he was a 17 year old boy from Cardiff. So it’s cognitive dissonance galore.

And as someone who has friends who are Muslim, who has worked with Muslims and taught them and shared in their community, hospitality and warmth, this all saddens me greatly. An entire community through misinformation is targeted by impressionable and indoctrinated washed white men.

I don’t get any satisfaction from judging those who are dumb enough to have gone out and behaved callously, attacking police officers and chanting deplorable things. Every single one of them deserves to face justice. But mostly, I pity them. What a miserable way to live if you feel threatened by those of a different race or religion.

And if they really cared about those children, they wouldn’t be engaging in any criminal activity. Heck, where were they all when the news of Lucy Letby came out last year? It’s as if these people think it’s only non-white people who murder. Watch their logic be ripped apart when you look at data from NSPCC for child abuse or NCDV on domestic violence in the U.K. Then again, listen to any of them speak and they can barely string a sentence together.

But what they do is recite common slogans, ‘Take our country back’ being a common thing that’s said.

So we come full circle to where the blame lies, and that’s on all those who have aloud this division to spread. And whilst Labour have had to shoulder the blame from those dumb enough to think that this is their fault, I whole heartedly encourage them to be bold, have some courage and truly shine a light on where the responsibility lies. Kim Johnson and Dame Sara Khan have thankfully said it but the more that do, the better.

We’ve had enough of the culture wars.

When you create an ‘us’ and ‘them’ you create conflict and enable extremists to act with impunity. When you create a ‘we’ that’s when we can start making progress again

…and we’ve got to live together.

Brat

You just have to applaud Charli XCX.

‘Brat’ has really caught the zeitgeist of summer 2024.

And there is a lot to discuss regarding the cultural side of it, which appears to be the gift that keeps on giving.

But I’ll start with the music.

It’s really satisfying to see a pop album do so well which boasts a level of sophistication that a musician like me can appreciate. The album sounds fantastic, and it does not shy away from experimentation and fun. It’s uncompromising in that respect and garish in a way that’s really captivating, not least represented by the green cover.

This has been a feature of Charli for as long as I’ve been listening to her, starting with Pop 2. There’s this tension that she has between a desire to be an iconic pop star but also stay true to her underground routes, but I think she plays that to her strengths, especially on ‘Charli’ (2019) and now ‘Brat’.

Lyrically, the album as a whole has multiple dimensions to it. Much has been made of what ‘Brat’ defines, in Charli’s words it’s ‘the girl who stays up late, wakes up late, parties, is kind of messed up and carries cigarettes with a bic lighter’. However, you listen to the album as a whole, and there’s much more humanity at play, there is insecurity, vulnerability and guilt. ‘So I’ (possibly my favourite track) is a devastating track in honour of SOPHIE where Charli admits things so honest, that it hits hard. ‘Girl, so confusing’ is a playful track that explores overthinking and a real lack of confidence in her relationships with other women. This album is victorious in its integrity as well as its execution.

Now there is the cultural angle which everyone from newspapers to Jeremy Vine have hilariously been trying to make sense of. Marina Hyde and Richard Osmand covered this excellently on their brilliant ‘The Rest is Entertainment’ podcast. As a male, I don’t particularly think it’s anything I can offer insight on, other than what appears to be happening is that the ideology of ‘Brat summer’ is giving license for people to enjoy themselves and that it’s okay to be a bit messy. And unlike other cultural shifts previously such as the ladette movement of the 90s, this is all done on the terms of women themselves.

Then there is ‘Kamala is brat’. Who knew that this would extend into the American political contest a month ago?

An artist’s political endorsement is always arguably risky, but when it’s the choice between female productive rights, and a misogynistic, racist, kleptocratic wannabe dictator, why wouldn’t you lend your voice to the cause?

So I’m enjoying the album a lot. And I’m so pleased to see that in 2024, music of this nature is a driving force in the culture.

Last year’s highlighter colour was pink, this year was green. It’s anyone’s guess as to what it will be next year.