Amgen Eisteddfod

I am pleased to share with you the video presentation of the Encore stage in partnership with the Royal Welsh College of Music and Drama, Ty Cerdd and the national Eisteddfod.

I was asked to compose a piece inspired by a traditional Welsh folk piece, and I decided to compose my own piece in response to ‘Morfa Rhuddlan’ for viola and Celtic Harp.

I’ve never composed something like this before so it was a wonderfully rewarding challenge and I loved being part of this event.

The link to the video is below and my composition features at 15:25.

Return to swimming

I went lane swimming in a pool for the first time in ages yesterday.

It was so good to get back to it, of course after such a long time due to the pandemic.

I used to swim 200 lengths a week when I was doing my undergraduate degree. It does wonders for musicians in terms of encouraging the health of your muscles and playing and I recommend it to everyone in general.

I did 80 lengths, sharing the lane with someone else and we were both courteous to each others, he kindly let me pass a few times and in hindsight, maybe I should have booked a fast lane!

Being underwater, seeing through goggles, hearing nothing but the water, moving your arms and legs, getting the rhythm of your breathing secure and feeling your muscles work through the water. Besides that, there is the coolness of the water as you are immersed in it, the bright sounds created in a pool environment and the relaxation of washing the chlorine off and a hot drink. I have missed it all so much and look forward to getting back into more of a routine with it.

I use my space as an opportunity to encourage everyone to get into swimming if you can, because in so many ways, it works wonders!

One foot in the door

If you put through one foot in the door, how long is it before your full body follows?

This is a good question to ask oneself in relation to time and how you choose to spend it.

I was offered an exciting gig, and whilst my initial instincts would have led me to say yes because of money and opportunities, my further instincts and considerations drove me towards saying no, and I am glad I followed those feelings and stuck with my guns.

It’s easy to stay on a route once you are on it, if it offers certain things such as security. However, if this route is chosen at the expense of other desires, are you setting yourself a trap?

Not being able to have time for your own endeavours and initiatives can be frustrating, and it’s best to find ways to balance commitments so you can serve others needs as well as your own.

For myself as a musician, I have decided that as we move into the live scene, that I am not that interested in the cover gigs. I will happily do them now and again, but I cannot bring myself to do it every weekend for cash because in honesty, my true motivations lie in creating original works, and I would rather spend the time doing that.

Everything involves compromise, but I think it is good to not try to over-compromise yourself at the expense of your true desires and personal goals.

As a group in a room

I love the fact that I’ve done so many collaborations with different people, many of which have involved online exchanges and in quite a few cases with people I’ve not met in person. It’s amazing that such a thing can happen with the internet.

However, there’s the other collaborative approach, one that involves a group in a room together. There you are in the moment, reading the environment, the situation and the possibilities together. This happened for me for the first time in a while.

If you are willing to thrash ideas out, compromise, be open to options, try things out, allow trial and error, laugh at the errors, and jump for joy at the immediate successes, magic can happen.

I’m glad to say that magic happened today with my group and there are a lot of exciting and creative opportunities going forward.

The unsettling feeling of reopening

I’ve been at two events in the last week, both of which have been a bit more crowded and involved with people than I’ve experienced in a long time. The environment was also louder.

And whilst it has been lovely to see people together again, it’s also admitted been disconcerting.

I consider myself someone to be introverted. I can easily spend weekends on my own, in my own company, either entertaining myself with music, movies or a long cycle.

And when you’ve not done something for a while, it takes some time to get used to such environments again. The quietness of everything has especially been apparent and I really struggled with things being a bit louder again.

So as the world opens, and humans can get together and speakers blast louder again, I’d consider it normal to initially find it strange or even unsettling for the time being.

Fuelling a divisive reaction.

Piers Morgan stands for so much of what is wrong about Twitter and social media in general.

No wonder he was spotted by Murdoch at so young an age for News of the World. He knows how to take a subject and throw a media storm over it, even if it contributes absolutely nothing beneficial to the narrative.

Morgan is a professional troll, and feeds off the excitement he causes by bloviating his undesirable opinion about high profile people, who, funnily enough tend to be black women. You can decide for yourself whether that is a noteworthy trend or not.

Simone Biles has nothing to prove. She’s overcome enough and achieved a significant amount already at the highest sporting level and if pulling out of the Olympic finals is the right thing for her to do, who am I or anyone else, especially a egoistic, narcissistic patriarchal media mogul maniac to dispute that?

Mental and physical connections are so important, especially when you are flying through the air, and the recent articles pertaining to Biles’ current struggle with twisties and the danger it creates in gymnastics means that Morgan has no argument whatsoever.

Not that he cares though, because his intention is about creating a reaction. An argument created for the sake of creating an argument.

He wants to fuel anger, he wants to have every reason to attack snowflakes and the woke and every time he does it, people take the bait. Look at his feed, and it’s depressing, but also illuminating of his mentality. You’ll quickly notice it’s about him being attacked now more than it is about what he said in the first place.

And what ensues is a 24 hour hate fuelled social media storm and what is ultimately achieved in the long run?

Nothing positive.

So what’s the solution?

Ignore him. Let him continue to be a keyboard warrior in his own echo chamber and don’t take the bait.

Easier said than done.

The social media companies don’t care about whether he’s fuelling hate and they’ll do nothing in response and his blue tick and platforms means his message is widespread.

But so long as we react, we give him what he wants.

My biggest guitar influences: Prince

Prince had so much charisma when he was alive it was beyond belief. I would have loved to have seen him live. He hired killer musicians and put on a killer show and had that special electricity to just put raw energy and groove into everything he did.

The guy had an enormous work ethic and listening to the vault podcast about his writing process is awe inspiring. He produced a catalogue that is relentless and ambitious. He was quite shy in person and during interviews, but on stage, he had a persona that could grip entire arenas.

The way he plays guitar mind is tremendous. He’s got killer groove but he can also solo and make the guitar soar.

It’s great that his music and live videos have become more available. I think more of my generation needs to know his music.

My top Prince tracks:

I wanna be your lover

Controversy

1999

DMSR

Let’s go Crazy

When Doves Cry

Purple Rain

Sign of the times

Raspberry Beret

My biggest guitar influences: Jerry Cantrell

Dirt has possibly my favourite openings to an album ever. it was a defining album of the grunge era and Jerry Cantrell’s guitar sound has so much power to it, it blows my face off! It was great to see grunge riffs fused with really smart guitar soloing. There’s of course is iconic use of the wah pedal as well.

The identity of Alice in Chains is really strong and I loved seeing them live back in 2014.

If anyone would like to make a donation to help me buy a Friedman amp as well, that would be much appreciated!

My top Jerry Cantrell tracks

We die young

Man in the box

Them bones

Dam that River

Rooster

Down in a Hole

Would?

Check my brain

Hollow

Stone

My biggest guitar influences: Adam Jones

When I heard Tool for the first time, I knew it was a band that was special. Despite only having released five albums in 30 years, the band have a loyal following that is ridiculously passionate about their music…and with good reason.

The intricacy to which Tool write their pieces is quite remarkable, and they spend a long time agonising over guitar, bass and drum parts that interweave in a way that is not only technically sophisticated, but musically and aesthetically spot on for what they set out to achieve. I love the tribal quality of their music and Adam Jones plays a part that is reserved but subtly challenging. His riffs, tone and rhythms are always captivating. I’ve yet to see them live and really hope I get the opportunity to do so.

My top Adam Jones tracks.

Sober

Prison Sex

Stinkfist

Forty Six and Two

The Grudge

Schism

Lateralus

Jambi

The Pot

Pneuma

Invincible